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"I am humbled by this opportunity to compose an octet to celebrate the opening of the Tanglewood Center for Music and Learning. The title MAGIC BOX hopefully captures the lively spirit, exquisite creativity, motion, enchantment and positive energy of the Center. I love composing. In a good way, my nerve endings for sound are always dialed up high - actually, they are on perpetual alert. If I hear one note or chord or if, for example, I play one on an instrument, I get lit up as if electric shock ribbons instantly race from my ears and fingertips to my imagination and then my creativity and craft play high-speed ping-pong! Where the ball is bouncing back and forth 100 times a second. The outcomes are unpredictable to me. I stay absolutely flexible. Everything is malleable, springy, stretchy, coil-able, color-able, twistable, bouncing, zig-zagging, and splinter-able. It feels like I am dancing with contrapuntal flickering sonic lights that accumulate into a spinning pinwheel spawning sound and form. I slide, skate, swivel, and spin with my materials - crafting nuance and finesse - and then I sculpt, shape, chisel, fashion, and form. At the end of all of that, I feel as if the piece wrote me - not as if I wrote the piece! My music has it's own inner life. If I listen carefully, the piece I am composing will tell me what it next needs." (Augusta Read Thomas, transcribed from the Miller Theatre at Columbia University MISSION COMMISSION Podcast interview)
"I am humbled by this opportunity to compose an octet to celebrate the opening of the Tanglewood Center for Music and Learning. The title MAGIC BOX hopefully captures the lively spirit, exquisite creativity, motion, enchantment and positive energy of the Center. I love composing. In a good way, my nerve endings for sound are always dialed up high - actually, they are on perpetual alert. If I hear one note or chord or if, for example, I play one on an instrument, I get lit up as if electric shock ribbons instantly race from my ears and fingertips to my imagination and then my creativity and craft play high-speed ping-pong! Where the ball is bouncing back and forth 100 times a second. The outcomes are unpredictable to me. I stay absolutely flexible. Everything is malleable, springy, stretchy, coil-able, color-able, twistable, bouncing, zig-zagging, and splinter-able. It feels like I am dancing with contrapuntal flickering sonic lights that accumulate into a spinning pinwheel spawning sound and form. I slide, skate, swivel, and spin with my materials - crafting nuance and finesse - and then I sculpt, shape, chisel, fashion, and form. At the end of all of that, I feel as if the piece wrote me - not as if I wrote the piece! My music has it's own inner life. If I listen carefully, the piece I am composing will tell me what it next needs." (Augusta Read Thomas, transcribed from the Miller Theatre at Columbia University MISSION COMMISSION Podcast interview)
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"I am humbled by this opportunity to compose an octet to celebrate the opening of the Tanglewood Center for Music and Learning. The title MAGIC BOX hopefully captures the lively spirit, exquisite creativity, motion, enchantment and positive energy of the Center. I love composing. In a good way, my nerve endings for sound are always dialed up high - actually, they are on perpetual alert. If I hear one note or chord or if, for example, I play one on an instrument, I get lit up as if electric shock ribbons instantly race from my ears and fingertips to my imagination and then my creativity and craft play high-speed ping-pong! Where the ball is bouncing back and forth 100 times a second. The outcomes are unpredictable to me. I stay absolutely flexible. Everything is malleable, springy, stretchy, coil-able, color-able, twistable, bouncing, zig-zagging, and splinter-able. It feels like I am dancing with contrapuntal flickering sonic lights that accumulate into a spinning pinwheel spawning sound and form. I slide, skate, swivel, and spin with my materials - crafting nuance and finesse - and then I sculpt, shape, chisel, fashion, and form. At the end of all of that, I feel as if the piece wrote me - not as if I wrote the piece! My music has it's own inner life. If I listen carefully, the piece I am composing will tell me what it next needs." (Augusta Read Thomas, transcribed from the Miller Theatre at Columbia University MISSION COMMISSION Podcast interview)
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